Austin Showcases Local Artists in the Public Sphere

Austin’s thriving Art in Public Places program commissions local artists to beautify the city and contribute to the artistic culture.

By: Emily Alleman, Frances Bello, Kelly Eisenbarger, Kelly Fine


Austin is known for being a hub for budding artists and musicians, but many rarely see their work in a public sphere. However, Art in Public Places gives talented artists the opportunity to share their work with the city of Austin.

The program was created through a city ordinance in 1985 as a way for locally and nationally known artists to display their pieces publicly. Since then, Art in Public Places has commissioned over 100 art pieces all over the Violet Crown. The City of Austin not only pays for the artwork to be placed, but also maintains the pieces following installation. The pieces range from murals to sculptures and can been seen along Lady Bird Lake or even in the heart of downtown. According to Carrie Brown, the coordinator for Art in Public Places, it is the variety of visual art that makes the program so important to Austin.

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“The broad spectrum of artistic expression within the Art in Public Places Collection helps to cultivate Austin as a world class city,” she said.

Brown points out that the program gives jobs to many people in the creative industry, including artists, architects, engineers and fabricators. It also contributes to Austin’s growing tourism market.

“The AIPP Collection, along with many other cultural assets, makes Austin a frequently visited cultural destination,” she said.

This statue of Angelina Eberly, an innkeeper and hero of the 1842 Texas Archive War, stands in the middle of downtown Austin, on Congress Avenue near 6th street. The sculpture was created by Pat Oliphant. Photo by Carlos Lowry.

This statue of Angelina Eberly, an innkeeper and hero of the 1842 Texas Archive War, stands in the middle of downtown Austin, on Congress Avenue near 6th street. The sculpture was created by Pat Oliphant. Photo by Carlos Lowry.

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According to the Art in Public Places website, 2 percent of eligible capital improvement budget is given to commission or purchase art for the sites. In other words, when improvements are made on certain city-owned sites, 2 percent of money goes to creating the piece. However, people and organizations can also donate to fund the program and keep it running.

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Any artist can apply as long as they fit the selection criteria, which includes some experience and a whole lot of vision for the given project. The artist is then chosen by a selection board, which is created for each specific project and made up of art professionals. This board gives their decision to the Art in Public Places panel, who makes the final decision.


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Brown explains that Art in Public Places doesn’t only give local artists the opportunity to have their art displayed, but also workshops that help them improve their applications, obtain proper insurance and even transition from studio to public art. In fact, the program recently  opened a temporary art program called TEMPO focusing on the Austin park system. They commissioned 11 artists for this program.

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However, the most important part of the Art in Public Places is the audience. As stated in the original guidelines for the program, the goal of Art in Public Places is to “expand the citizens’ of Austin experience with visual art and enable them to better understand their communities and their individual lives.” With the incredible pieces that are showcased around the city, the citizens and visitors are sure to get a feel for Austin’s lively and artistic culture.

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