By: Nick Castillo, Sara Eunice Martinez, Kaylee Nemec
Bright dresses and choreographed dance moves captured the stage at the Austin Earth Day Festival on Saturday.
The Mueller Lake Park event highlighted multiple social dance styles, including flamenco, ballet folklórico, square dancing and tango.
Oaxaca: Arte en Movimiento, was one of the dance groups at the event. It presented a traditional Mexican dance from Oaxaca. Edgar Yepez dance instructor at Oaxaca, said the dance represents Mexican heritage.
“It’s a Mexican tradition,” Yepez said. “It’s a Mexican folklore.”
Arte en Movimento’s goal is to be a growing space for culture and art, while promoting diversity, opportunity and cultural expression. Yepez said they’ve been around for a year and have seen their program grow tremendously from four participants to 40. He credits the growth to style of dance.
“The main difference in the style of dance is Guelaguetza,” Yepez said. “No one is doing Guelaguetza in Austin. That’s the main difference between other kinds of dance.”
Oaxaca showcases the vibrant social dance culture in the city.
But Austin isn’t always as kind to professional dance. Austin’s professional dance culture has the same issues as other major cities. According to Caroline Clark, who is working on her Ph.D. about Austin dance, said the only dancers who make a salary are ballet dancers. There’s also limited space. But she added that “that’s true everywhere.”
While professional dance has its troubles in the city, Clark said the most important thing about Austin’s dance culture is its growth.
Origins of Dance Cultures
Infographic Created By: Kaylee Nemec
“The most important thing to know about Austin dance is that as Austin’s population grows, the diversity of dance forms that one can do here increases,” Clark said. “There are many kinds of dance here, from African forms to Hispanic forms to European folk forms to Asian forms. And, don’t forget the big Native American powwow that takes place every November. And, the very influential Texas dance hall tradition.”
Some of the biggest reasons for social dance’s popularity in Austin is it’s fun atmosphere. Mickey Jacobs, a senior tango instructor at Esquina Tango Cultural Society of Austin, said people attend tango classes at Esquina for the relaxed environment.
“We laugh a lot,” Jacobs said. “It’s a very open, and welcoming community. That’s really what esquina is known for and that’s what brings people back. It’s not intimidating … We make it easy to take that first step.”
Jacobs said Esquina offers a wide variety of classes. The main focus is Argentine tango, which places emphasis on the dance partners’ connection. Jacob’s performed a tango routine with fellow instructor Orazzio Loayza at Saturday’s festival, which displayed the dance’s heavy reliance on a duo’s embrace, and it additionally showed the technical side of the dance.
“It’s a couples dance first and foremost so learning to have the conversation, if you will, between the follower and the leader, but instead of a verbal conversation, it’s a conversation with your body,” Jacobs said. “It’s a very sensual dance. It’s all about responding to each other’s body movement … It all goes back to an embrace. The dance position is called the abrazo, which means embrace, and that’s where everything originates.”
Jacobs added that Esquina isn’t the only place in Austin teaching tango. She said the tango culture in Austin, much like the city’s overall dance community, is alive and well.
“There’s a very vibrant community,” Jacobs said. “There are a few 100 people, who regularly dance tango. There are definitely people around town, who are great, that serve people all around Austin … There are good teachers throughout the city, and a very vibrant active community.”
Anuradha Naimpally is the primary instructor of Austin Dance India, a dance company that has been located in Austin for more than 25 years and teaches students Bharata Natyam, a classical Indian dance style. She performs a dance position from the abstract portion of the dance called “Nritta.”
Anuradha Naimpally (left) leads her students in a warm up routine.
Anuradha Naimpally uses wooden sticks called “Tatta Kali” to form a beat and accompany dancers on their routine.
Anuradha Naimpally (left) instructs a student (right) on how to master a dance pose.
Anuradha Naimpally performs a double-hand gesture called, “Avahita,” a symbol that translates, “love.”
A student at Austin Dance Indian practices basic Bharata Natyam footwork.
Olivia Chacón is the dance instructor at Flamencura Music and Dance Studio located in Northwest Austin.
A wall at Flamencura Music and Dance Studio is filled with cultural decorations.
Shannon Francis (right) practices a dance routine with her fellow flamencas.
A linen is on display at Flamencura Music and Dance Studio that represents a Flamenco dancer’s performance attire.
Olivia Chacón practices a step in front of the mirror during her class.
Flamencura Music and Dance Studio is one of two flamenco dance locations in Austin.
Juliana Fernandez Helton displays her fan, a popular accessory that accompanies the flamenco dance.
Olivia Chacón’s Flamenco 2 class rehearses a dance at one of their weekly dance practices.
Nail heads cover the tips and heel of flamenco dancing shoes to provide a unique noise while dancers stomp.
Dr. Ana María Tekina-eirú Maynard, from Tainos Puerto Rico, founded the Puerto Rican Folkloric Dance and Cultural Center in 1997. She is the director, choreographer and playwright of the non-profit organization.
Puerto Rican artwork is on display in the Puerto Rican Folkloric Dance and Cultural Center.
Allyssa Milán (left) follows Dr. Ana María Tekina-eirú Maynard (right) in a new dance routine introduced to the class.
Dr. Ana María Tekina-eirú Maynard twists to the Puerto Rican music.
Ruty Ontiveros pauses during a dance to display her skirt.
A dancer displays the proper way to grasp a Puerto Rican dancing skirt. The hand correctly grasps the skirt loosely.
Drums are a popular, historical instrument used to accompany Puerto Rican dancing.
The beginner’s Jibaro Dance class learns how to use Palitos in a dance. Palitos are popular wooden stick instruments used to create rhythm and sound while dancing.
Puerto Rican Folkloric Dance and Cultural Center, located in Central Austin, is the only cultural center in Texas and Southwest United States associated with the Puerto Rican culture.
Long skirts are one of Puerto Rican Folkloric Dance’s main performance attire. The skirts represent the Puerto Rican culture, dating back to the 17th century.
The Puerto Rican dance group prepares a special routine for an upcoming event this summer.
A mask decoration hangs on the wall, adding character to the studio.
Dr. Ana María Tekina-eirú Maynard performs a solo routine, demonstrating a portion of the next exercise.
Photos and Cutlines By: Nick Castillo
Orazzio Loayza looks toward the crowd after finishing his tango routine on April 23.
Mickey Jacobs and Orazzio Loayza. senior instructors at EsquinaTango, perform a tango routine at Austin's Earth Day Festival.
Oaxaca: Arte en Movimiento dancers perform a traditional Mexican dance at the Austin Earth Day Festival.
Oaxaca: Arte en Movimiento dancers perform a dance called Guelaguetza, which features pineapples on April 23.
Austin Flamencura dancers wear intricately-designed dresses during their performance at the Austin Earth Day Festival.
Dancers from Austin Flamencura Dance Studio twirl during one of their three routines at the Austin Earth Day Festival.
A member of Austin's Flamencura Dance Studio performs at the Austin Earth Day Festival on April 23.
Videos filmed and produced by: Sara Eunice Martinez
The Austin American Statesman has put together the largest 10K race in Texas engaging in community fun and togetherness throughout the iconic routes of Austin.
Beginning at the infamous Congress Avenue Bridge, then heading down straight towards the Capitol, up and down hills, passing through neighborhoods, and then finishing up at Auditorium Shores on Lady Bird Lake for some fun after a successful run. From children in strollers to people of all ages and even dogs who get to enjoy the scenic routes with Austin’s community.
This community event isn’t just for seasoned runners, but for anyone who wants to enjoy themselves throughout the beautiful city of Austin.
There are many crowds throughout the race cheering everyone on as well as bands that are playing throughout the race as an entertaining support of all participants.
Austin’s uniqueness is also very welcomed throughout the race by people being able to show their fun sides by wearing any costumes of their choice.
Whether people choose to run alone, with an organization, friends, or family – all are welcome. The race is for each individual to focus on being their best and enjoying a healthy paced run/walk.
A feature on the University of Texas’ University Fashion Group. The UFG is putting on their annual fashion show,
titled Elements in 2016, on April 14.
By J.D. Harris, Lauren Florence and Fatima Puri
After four years of designing unique clothing and countless all-nighters spent sewing together their collections, 23 senior apparel designs students will display the culmination of all their hard work in front of an audience of thousands.
“Elements” is the title and theme of this year’s annual student fashion show which will premiere each student’s five-piece collection at the Frank Erwin Center on April 14. Last year, the show brought in an attendance of 5,000 people, but planners of the show estimate the audience to exceed that this year.
The annual fashion show, which is organized by students of the University Fashion Group, will feature 120 original designs to be judged in various categories, such as best evening wear or best active wear, by a panel of local industry professionals.
A model wearing an outfit designed by student Aaron Kuback. Photo courtesy of the Statesman/Ed Lehmann.
Ockhee Bego, professor of textiles and apparel who is supervising the senior collections and directing the show, said she teaches classes from the freshman to senior level and that the most difficult part of the fashion show for her students is time management.
“[When] they started out some of them never knew how to sew any garments to now they are designing and producing all the garments,” Bego said. “The main part is the time management because our students, they are not only learning for design but as you can imagine they do business, they do chemistry, they do biology and they do accounting—all those things, plus, they are creating and producing the garments.”
While the hair and makeup of the models will be kept consistent among all the designers to emphasize the clothing collections, Bego said designers could request models that had a certain type of look that complimented their collection.
Tré Miles, president of the University Fashion Group and a designer in the Elements show, said his collection stemmed from conversations on gender presentation and he requested both male and female models to wear his pieces.
Miles, who took 19 credit hours this semester and has a part-time job, said he’s not the first senior designer to take on the double duty of also being president of the University Fashion group, though it’s usually highly recommended that designers don’t.
A model wearing a bridal gown designed by student Tasneem Saifee. Photo courtesy of the Statesman/Ed Lehmann.
“It’s definitely interesting how to balance it,” Miles said. “It came to a point where obviously better organizational skills—I’ve challenged myself so much on that, and being very open and accessible. One of the funniest things I think in learning to balance everything was learning to be as objective and straightforward as you can be—not allowing anyone to get too emotional, not allowing people to get angry at me.”
Mary Urban, marketing sophomore and assistant director of development of the University Fashion Group, said although she is not a textiles and apparel major she joined the University Fashion Group with the hope of pursuing a career in the fashion-tech industry.
“I definitely think it works very well because I’m a very creative mind but I’m also an analytical mind because I’m good at math, so it’s a really good balance, and honestly I think if I only did one I’d go crazy,” Urban said.
The fashion show will be held April 14 at 7:15 p.m. in the Frank Erwin Center, and admission is free and open to the public.
Whether you consider yourself an ‘Austinite,’ or you spent some time visiting Austin, you can always find something new and fun to do in the Capitol of Texas. The city boasts of a plethora of sites to see. Maybe you want to grab a bite at popular food trucks or take memorable pictures at some of Austin’s major landmarks. Seek adventure with not only family and friends, but with an experienced pathfinder to guide you along your new adventure.
Ride with Texas Bike Tours, a company that can match you up with a tour guide to follow along with on your own bike! Listen to the pathfinders explain Austin history as you bike along the new boardwalk on Lady Bird Lake and continue strolling through downtown, gaining knowledge about Austin’s “weird” culture.
Tourists enjoy the engaged and interactive nature of the bike tours.
“I’ve been on bus tours in Europe, but to be out, and to see people and smell things was just super cool,” said Tracey Maloney, Texas Bike Tours customer.
The company also personalizes each tour to the interests of the group, so every tour is unique and just how you want it. Enjoy a fun and personalized adventure in Austin’s city limits and continue to explore more of Austin’s historic or newly created sites with unforgettable bike tours.
Keep Austin Weird by pedaling on the newest mobile unit — a pub on wheels! This bar on wheels explores a variety of popular drinking establishments based on tour routes around the Capitol, the market district, the warehouse district and Barton Springs.
If you like to have fun exploring and also enjoy a good team challenge, then this part-city tour part-energetic competition is for you. This tour stops at major landmarks while playing games and gathering items, and ends with tallying up of scores for the scavenger hunt awards ceremony.
Want to rest your feet, but still take a tour? Glide your way around the Capitol and major downtown areas on Austin’s Segway Tours, which provide the history of the city and fun sites to stop and take photos. Just be sure to keep your balance and avoid the potholes.
If you want to still rest your feet but get a killer arm workout, you can paddle your way through downtown via Lady Bird Lake with this kayaking tour. Learn some local history and interesting facts with this tour while floating on downtown Austin’s beautiful body of water.
In true Austin fashion, the city keeps its tours weird, so get out and explore!
With every slow, rhythmic punch and sweeping kick, the students and faculty of the University of Texas at Austin seem to feel the stress caused by life on campus melt away. While some students and faculty choose to participate in campus exercise programs such as yoga and Pilates to destress, others are turning to the Chinese martial art of tai chi to reduce their stress levels.
Jen Shipman, a UT faculty member and leader of Texas Tai Chi, an on-campus tai chi program at UT, said the Chinese martial art of tai chi helps to relax the mind and body at the end of hard work days.
“We’ve got stressful jobs and so it’s nice to have that hour break where we’re not having to think about what work we need to do and instead just focus on healing ourselves from the inside,” Shipman said.
According to Natalie Durkin, a tai chi instructor with Master Gohring’s Tai Chi & Kung Fu in Austin, tai chi is classified into five styles and each style is named after the family who taught it. The five families include the Chen, Yang, Sun, Wu, and Wu-Xiang.
The birthplace of the Chen family, who represent the historical origins of all five traditional schools of Tai Chi. Their fusion of Chinese philosophical elements with martial arts training made Tai Chi a novel art form in the 1800s.
Texas Tai Chi mainly focuses on the Yang style.
“It is the more upright style of tai chi where you’re staying shoulders above hips. It’s probably the most common one,” Shipman said.
Although Texas Tai Chi began only seven years ago, tai chi has been practiced for centuries.
Durkin explained that tai chi has its origin in one of the oldest Chinese legends predating the 12th century. Durkin said that according to the legend, while a monk was walking through a forest he stumbled upon a fight between a snake and a crane. As he watched the snake and the crane, he observed how each animal’s defensive behaviors benefited them and realized how complimentary and effective these defenses were against each other. Inspired by the movements of the snake and crane, the monk created tai chi, which translates to “Supreme Ultimate Fist.”
According to Durkin, tai chi differs from other martial art forms because its movements are softer than those of karate or taekwondo and its participants are not meant to expend tons of energy; instead, energy is meant to be “channeled inward for personal health.”
The philosophy of Tai Chi is one that discourages the use of outright brute force to stop an opponent’s advances. Such fighting methods are seen in Tai Chi as swaying away from the paramount natural balance of Yin and Yang.
Shipman also noted that tai chi differs from other martial arts because tai chi is open to people of all ages and with varying levels of experience.
No matter age or experience, tai chi is proven to have multiple health benefits both physically and mentally.
“From my own personal experience, I can say that although I earned a black belt in taekwondo many years ago, and already had good reflexes and balance, they have been enhanced 10 fold since becoming a tai chi practitioner,” said Durkin. “I am lighter on my feet; my arthritic knees are better than they have been in years. Mentally, I have better clarity, I have the ability to see a problem from a variety of perspectives and to hang out before trying to control an outcome.”
In tai chi, it is critical to coordinate body movements with breathing.
“It’s beneficial for helping for balance. It’s beneficial for all kinds of health benefits, with your breathing, more body awareness because it’s not one of those fast paced martial art forms,” Shipman said.
UT students, Stephanie Lish and Alejandra Duarte, agree that offering tai chi classes is a benefit for UT students and faculty. They also said that they feel like Texas Tai Chi is valuable because it adds to the variety of exercise programs that UT offers.
“I know there’s people that would enjoy that,” Lish said.
“There’s a lot of people on campus so I think it’s a good idea,” Duarte said. “You have to have a lot of different things.”
Students and faculty can find Texas Tai Chi in the Student Activity Center (SAC), Dance Room (2.310) every Tuesday from 11:30 a.m. – 12:30 p.m.
By: Nick Castillo, Sara Eunice Martinez, Kaylee Nemec
Music blared, drinks flowed freely and hair filled the Mohawk on Feb. 20.
Nearly 1,000 people packed the downtown Austin venue for the 10th annual Come and Shave It beard competition.
The Come and Shave It event, which is organized by the Austin Facial Hair Club, is one of largest beard competitions in the country. The 2016 event attracted more than 220 competitors from all around the United States and the world.
Kevin Becker, from East Haven, Connecticut, finished in third place in the beard under a foot category and said he came to the event because of its magnitude in the beard community.
“I just started competing last year and I heard this was a very big competition so me and a couple other guys from Connecticut, we all came down,” Becker said. “It’s been great.”
Both the Austin Facial Hair Club and the Come and Shave It event have grown in their first 10 years. The club started with four members and now has 50 dedicated members. The original event was started by Misprint magazine, a now defunct publication, and was held at Club de Ville, which is now Cheer Up Charlies. The event quickly outgrew its old venue and moved to the larger Mohawk.
Bryan Nelson, president of the Austin club and one of the original four founders, said the event originally began as a spoof but grew in popularity. He said the city quickly embraced the event.
“I think Austin has always been a beardy place,” Nelson said. “It’s always been a more of relaxed lifestyle in Austin. You can go into a restaurant and see them in a T-shirt and jeans or something like that. The beard culture itself is pretty strong. Normally guys get pretty proud of their beard. It’s kind of fun to celebrate them.”
Brett Strauss, commissioner of the Facial Hair League, which helps clubs organize beard competitions, said the key to the Come and Shave It event is its dedication to philanthropy. Strauss said most of the beard clubs are set up around raising money for non-profit causes. “If it was just about the beards, I don’t think there would so much commitment and so many people traveling the way they do,” Strauss said.
Nelson said that both the club and the Come and Shave It event have helped multiple charities over the past 10 years. He said they’ve helped with Wounded Warriors, SXSW Cares and the Austin Animal Center, among others.
“We just try to help out community where we can,” Nelson said. “We try to keep it real in Austin. We’re not registered as non-profit but we operate like a non-profit … We just try to have fun and ‘Keep Austin Beard.’”
The charity aspect of the event is important, but the fun keeps the event going. Strauss said he enjoys going to the Austin event because it’s one of the biggest competitions of the year. He also said the time he spends at beard competitions remind him of his college days.
“For me it’s like going back to college for the weekend,” Strauss said. “My mother-in-law watches my kids. I take my wife. We head out of town. And we go and hang out with some wonderful people and drink beer and have fun. It’s just like going back to college. I really enjoy spending time with these people.”
The Austin club and event has helped the beard community grow and “Kept Austin Beard” for the past 10 years and they’re being rewarded for it. Austin will host the World Beard and Mustache Championships in 2017, which Nelson is excited about.
“It’s been years in the making,” Nelson said.
Graphic Maps by: Kaylee Nemec
How Beards are Judged: A Q&A with Facial Hair League commissioner Brett Strauss
Understanding how a beard competition works is confusing. To help shave the nitty-gritty, Facial Hair League commissioner Brett Strauss discussed how competitions work.
Strauss, a former beard competition judge, discussed a variety of beard competition topics to help get a better understanding of how judging works, what judges look for and much more.
Q: How does judging work?
A: “It’s kind of like Olympic style judging, where each competitor is given a score between seven and 10 on the half-point: 7.5, 8, 8.5. You’re picking the first, second and third out of your final group for each category and you submit it and everything is calculated.”
Q: How does fan-voting work?
A: “The fan-voting is something we call ‘fantasy facial hair,’ which is like fantasy football where instead of picking players that’ll play the best, you’ll pick competitors. You’re going to pick the ones that you think are going to win first, second and third in each category. The closer you are to matching the judges themselves, the more points you get.”
Q: How many beard categories are there?
A: “I would say there are probably around 24 standard categories and there a probably just as many unique categories. The standard categories can include mustache, natural mustache, freestyle mustache, chops, beards, many different categories. Then you have the unique categories, which are things like some clubs will do world’s worst beard. Some people will do Texas red beard, salt-and-pepper for the gray and white beards. So there are some fun ones out there.”
Q: Which categories have the most competitors?
A: “Most competitions, you’re going to get 50 percent of your competitors competing in two categories. It really depends on how the clubs set them up. Usually, it’s, if you’ve got an under-12 inch full beard natural – that’s a very large group of people that have 12-inch or shorter beards. That’s probably going to be your largest group. Then, I’d say the second largest would be the 12-inch or over 12-inch full beard.”
Q: What do judges look for when judging?
A: “It depends. If you’re going for a full-beard natural then basically what you’re saying is it’s someone that does not do any type of cutting, shaving, cleaning up. It’s kind of an unruly set of people. These are people that don’t shave the cheek. They don’t shave under their neck. They just kind of let it absolutely go. So in that case, you’re actually looking for people that are more unkempt. You’re looking for length. Obviously, you want the beard to healthy. Volume helps as well. If you’re looking at another category like styled, or best-groomed beard, then you’re doing the exact opposite. You’re actually looking for people that have perfect beard shapes and have cleaned the cheek up. They have perfect straight lines that are matching.”
Contestants line up outside of the Mohawk to register for the 10th annual Come and Shave It beard and facial hair competition.
Jimmy, competing in the best groomed category, dresses as an Australian native.
Trophies line up across the stage waiting to be given to winners of sweetest stache, best groomed, pompous partial, gnarliest beard, ladies, free style, and best in show.
John Banks, contestant in the freestyle category, styled his beard in rings to impress the judges.
The crowd watches contestants in the goatee category take their place on stage.
Bryan Nelson, president and co-founder of Austin Facial Hair Club (left), joins the announcer (right) on stage during an intermission.
Jason Evans, from St. Louis, Missouri, shows off his stache before going on stage. He competes in three to four competitions a year and is currently trying to participate in more.
Jason Kylie, from Hillsboro, Ohio, competing in the freestyle category, shows off his 4-year-old beard before the competition begins.
Contestant in the goatee category shows off his facial hair to the judges.
Incredibeard, beard legend from San Francisco, makes a cage out of his beard to compete in the freestyle category.
Ginger-Slap, competing in the women’s creative category, entwines her fox’s tail into her beard for an interesting look.
Contestant in the sweetest styled stache category.
Chad Roberts, from Richmond, Virginia, carries a 12-pack around in his 19 inch beard to compete in the full beard freestyle category.
Contestants smile as they enter the Mohawk, ready to compete in the freestyle category.
By: Nick Castillo, Sara Eunice Martinez, Kaylee Nemec
Austin roller derby scene emerges in 2001, leads to sport’s revival
Hundreds of people stand outside a southeast Austin business complex on Feb 13. Inside lays ‘The Blood Shed’ – an old warehouse building modified into a roller derby arena, where the Texas Rollergirls prepare to kick off their 14th season.
Fans cram into ‘The Blood Shed’ – standing or sitting on the concrete floor, searching for a spot to see the action, music blares, an enthusiastic emcee named ‘Chip Queso’ pumps the crowd up, and all while the Hotrod Honeys ‘bout against the Honky Tonk Heartbreakers.
Julie Hunter, owner of Medusa Skates in Austin and roller derby player for TXRD – a banked roller derby league – said the players feed off the atmosphere surrounding the games.
“When we have a ton of people it feels great,” Hunter said. “I’m really camera shy, but when I get out there I’m like ‘fuck yeah. This is awesome.’ I love it. I eat it up.”
Roller derby began in Chicago in 1935, but Austin led to the sports’ revival in 2001.
Austin has emerged as a major roller derby scene with multiple leagues including the Texas Rollergirls, who participate in the Women’s Flat Track Derby Association, and the TXRD – a league that participates in banked roller derby.
“It’s a really big scene,” Hunter said. “This is where the revival of roller derby got started back.”
Since the scene’s development it has added junior leagues, recreational leagues and even high schools have added the sport. There are even men’s leagues developing in Austin.
Film By: Sara Eunice Martinez
The game itself is fast, vicious and sometimes dangerous. The players say it’s a mix of football and speed skating. Two teams play in a game called a ‘bout,’ which consists of two 30 minute halves. Each team has five players on the track – one jammer, one pivot and three blockers, who help their jammer through the pack and try to prevent the other team’s jammer from scoring. The jammer scores after they make it through the opponent’s blockers and are credited points for each pass made within a two-minute period called a ‘jam’ during each half.
Jessica Duran, who goes by Virgo Vengeful and plays for the Hell Marys in the Texas Rollergirls league, said she’s seen the Austin competition increase during her 10 years of participating in the sport.
“The skill level has gotten higher and higher,” Duran said. “Everyone is getting better every year. So every year, I think I learn something new and I also really challenge my brain. As far as the game goes, the strategy is super important to the sport and learning how to tune into it.”
Duran added that the Austin scene is empowering because of the physical nature of the sport and the ability to speak your mind within leagues.
“It’s very empowering, definitely,” Duran said. “It’s a lot of very opinionated females, which is great. We might butt heads, but it’s also empowering that you can speak your mind and you’re encouraged to be you. You’re a female who cares? When someone says ‘you hit like a girl.’ ‘Yeah, I do hit like a girl. I hit very hard. You wish you could hit like that.'”
“We very much empower every girl that comes in from juniors all the way up to our rec program to our premier programs.”
Miyah Calhoon, who plays for the Honkey Tonk Heartbreakers in the Texas Rollergirls league and goes by Fender Bender, said seeing the growth of the sport down to the youth level has been special.
“It warms my heart, it really does.” Calhoon said. “To see the growth – there’s this empowerment aspect to it too … To see juniors skating today, it really does warm my heart.”
The fans cheer as the final whistle blows on Feb. 13. The Hotrod Honeys claim their first win of the season – a 293-108 clobbering of the Honkey Tonk Heartbreakers.
Both teams share high-fives despite the battle each fought. They all share in the same fun the Austin roller derby scene has created.
“It really feels like a family,” said Diane Sanson, who participates in the Texas Rollergirls recreational league. “They’re like distant relatives that are way above you, but they’re still encouraging you and telling you ‘you will get there.’ Telling you how to get there. It is more of a family. We help each other out. It’s not discouraging even if your team loses.”
The Blood Shed is Austin’s premier roller derby facility that consists of two covered tracks. It is also the primary location for game days and practices. The four home teams for the Texas Rollergirls are the Hotrod Honeys, Honkey Tonk Heartbreakers, Hustlers, and Hell Marys. The Texecutioners, made up of the best players in the league, represent the all-star team for the Texas Rollergirls.
The Honky Tonk Heartbreakers huddle to stretch and discuss their game plan before they scrimmage against the Hotrod Honeys, one of the four Texas Rollergirls home teams.
Dilla (left), coach and retired player for the Hotrod Honeys, relays a quick message to the team before the next jam begins.
Peacewar, player for the Hell Marys and Texecutioners, leads the Hell Marys to skate and warm up on the track before their scrimmage against the Hotrod Honeys.
The Hell Marys (white) form a strong wall to block and stop Bloody Mary (20), jammer for the Hotrod Honeys (black) and Texecutioners, from gaining points.
Fifi Nomenon, jammer and blocker for the Hustlers and captain of the Texecutioners, rushes to the sideline to grab a quick drink and catch a quick breath before the next jam begins.
Trauma (right), player for the Hell Marys and Texecutioners, discusses the next jam plan before getting the Hell Marys back on the track.
More than 40 stickers are on display in the Texas Rollergirls office which represents many roller derby teams that have traveled to Austin. Among teams from the United States are also teams from Mexico, Brazil, and South Africa – last year’s winners of the roller derby world cup.
Me Shove You Long Time (left), blocker for the Hustlers and Texecutioners, and Couch Crasher (8, right), team Hustlers (purple), get called to the penalty box for one minute during the jam against the Honkey Tonk Heartbreakers.
The Hell Marys (white) block the track to prevent Bloody Mary, jammer for the Hotrod Honey’s (black) and Texecutioners, from scoring points.
Mac Wreck, one of six officials, stands ready to call penalties and send players to the penalty box.
Dolores Fuertes (left), pivot for the Hell Marys (white) and Texecutioners, races around the track to lead her team and block the opposing jammer from breaking through the pack.
Shiner Blond, co-captain for the Honkey Tonk Heartbreakers, gears up with elbow pads and a helmet before skating onto the track to face the Hustlers.
Barbara Ambush (1600), blocker for the Hotrod Honeys and Texecutioners, is able to block and push BabyFace Assassin, jammer for the Hell Marys (white), to the ground and stop her from passing the opposing players and racking up points.
The Honky Tonk Heartbreakers (blue) and Hustlers (purple) battle to keep the pack tight during a jam, not allowing either jammer to pass opposing players.
Booty Queen (left), captain of the Honkey Tonk Heartbreakers, and Scorn Bread (right) take off their equipment after their loss against the Hustlers.
It was the best of times, it was the wurst of times at this year’s 52nd annual Wurstfest, a celebration of all things German.
A group of friends joins in with the rest of the crowd by holding their cups in the air to make a toast while singing along to the traditional “Ein Prosit” song. Photo by: Erin MacInerney
By: Morgan Bridges, Erin Griffin, Erin MacInerney, Jamie Pross
(Click to listen to the Chardon Polka Band perform live in the Stelzenplatz Biergarten at Wurstfest)
(Click to watch a first-person view of the festival)
NEW BRAUNFELS- Sprechen sie fun? Hint: say yes!
Don’t worry, you needn’t speak German to enjoy the revelry of Wurstfest, the 10-day salute to sausage.
But if you really want to delve into the culture that makes up this Oktoberfest- inspired event, knowing a few phrases will help you to fit in among the lederhosen clad festival-goers.
The small town of New Braunfels, Texas welcomes over 100,000 visitors to the festival each November.
The smell of kartoffelpuffer (potato pancakes), strudel, schnitzel, and other dishes you may have a hard time pronouncing, waft throughout the tents of the festival grounds.
For people like Sammi Guerrero, Wurstfest is an annual family tradition.
“I have been going every year since I was born,” says Guerrero. “My whole family goes at least three days out of the ten days it is held each year.”
Guerrero’s 21-year streak (or 22 if you count the time she was still in her mother’s belly) is nothing compared to her father, Roland, who has been going every year since the early 1970’s.
Roland’s father, Larry Guerrero, has been joining the family for as long as he can remember. Larry may use a walker but the minute Grammy Award-winning polka artist Jimmy Sturr and his Orchestra start playing, Guerrero can’t help but get up and dance.
“Everyone loves my grandpa and when they see him dancing, they can’t help but join,” says Sammi Guerrero. “I love getting to come with him each year and watch him make people smile.”
One of the Guerrero’s favorite parts of the festival is sharing a pitcher of German lager. Roland recounts when a pitcher of beer was a dollar compared to the now almost 30 dollar pitchers being sold.
While grandpa dances to the polka music, the rest of the family heads to the biergarten, part of the newly renovated Stelzenplatz hall.
With more than 30 craft beers from all over the nation and a few specialty German beers, Wurstfest is known for drinking.
Welcome to Wurstfest! Do you speak fun? A diverse crowd enters the fairgrounds to enjoy a day filled with sausage, music, and a variety of other entertainment. Photo by: Erin MacInerney
All of the drink stands at Wurstfest are stocked with cups so that festivalgoers can share their pitchers of beer – or have an easier time keeping it all to themselves. Photo by: Erin Griffin
Festivalgoers watch the Chardon Polka Band perform at the Biergarten in the Stelzenplatz. Photo by: Erin Griffin
The Chardon Polka Band captivates the crowd by encouraging them to sing along to familiar songs. Jake Kouwe, the lead singer of the band, started to play the accordion at age fourteen.
Gator the Clown stops to pose for a picture with some kids while parents snap photos. Gator can be seen roaming around the festival sporting a smile and cracking jokes. Photo by: Erin Griffin
There is a lot of commotion and excitement in the Das Grosse Tent (big tent) on weekend nights. Festivalgoers mingle and interact with one another creating an inviting environment. Photo by: Erin MacInerney
On Saturday night, a group of friends built a beer pitcher tower in the Das Grosse Zelt (big tent). A crowd formed to see how high the tower would stack. Photo by: Erin MacInerney
Wurstfest offers many different kinds of domestic, imported and craft beers for purchase. A pitcher of Shiner Oktoberfest and pitcher of Coors Light are shown here. Photo by: Erin MacInerney
Simon Esteva dances and cheers along with his friends to the “Ein Prosit” song in the Das Grosse Tent (big tent) Saturday Night. Photo by: Erin MacInerney
A volunteer at the New Braunfels Rotary Club booth prepares potato pancakes for a growing line of hungry costumers. This vendor is one of the most popular – and encourages its costumers to add applesauce to go along with their wurst and pancakes. Photo by: Erin MacInerney
Here is a close look at the New Braunfels Rotary Club’s potato pancakes, wurst, and applesauce. It tasted delicious. Photo by: Erin MacInerney
The Wurstfest Orquestra plays in the Wursthalle and invites people to polka dance along to their music. Photo by: Erin MacInerney
A volunteer serves a pitcher of beer at one of the drink booths in the Wursthalle. This particular bar offers beer as well as wine and soft drinks. Photo by: Erin MacInerney
Steve Schulz (OPA) and Don Brawner (Kleine OPA) are part of the Wurstfest Organization and volunteer at the yearly festival. Their different color vests signify their ranking in the organization. Photo by: Erin MacInerney
The merry go round is a popular attraction for children at Wurstfest’s carnival. At night the lights of all the attractions create a pretty glow and add to the fun atmosphere of the festival. Photo by: Erin MacInerney
In the Marktplatz there are 36 vendors with different types of wurst (German sausage). Wurst is commonly served on a stick with bread rolls attached to the bottom. Photo by: Erin Griffin
Another popular food item in the Marktplatz are the turkey legs. Eager festivalgoers stand in long lines in order to enjoy this treat. Photo by: Erin MacInerney
A polka band called 3rd Generation performs Sunday evening in the Das Kleine Zelt (Little Tent). Many couples and families dance around to end their evening on a happy note. Photo by: Erin MacInerney
A couple stops at the hat vendor in the Marktplatz to purchase a silly hat. Many festivalgoers can be seen wearing silly hats with themes ranging from drunken chickens to Vikings. Photo by: Erin MacInerney
A man watching the Chardon Polka Band is seen sporting a tyrolean hat, a traditional Bavarian piece that is normally paired with lederhosen. Photo by: Erin Griffin
A vendor in the Marktplatz sells collectible beer steins. The booth has over 200 unique and authentic steins made of different kinds of stoneware. Photo by: Erin MacInerney
The Das Grosse Zelt in the evening is full of movement and excitement. This Sunday evening the crowd is waiting for the next polka band to start performing. Photo by: Erin MacInerney
Guests make it a point to collect as many plastic beer pitchers as they can down, and that crashing sound you just heard? It was a pyramid of pitchers stacked up falling to the ground, a common sight among the beer hall.
Despite the vast alcohol consumption, Wurstfest Associations members make sure that the fest is centered around good family fun.
Another important part of the festival are the traditional German clothes, lederhosen worn by men and dirndl’s worn by women.
Click here to learn more about the history of Wurstfest
“A lot of people want to be dressed up for the event,” says Paula Kater, owner of the Kuckuck’s Nest in Fredericksburg, Texas. “Every year, sales pick up and people want to get more and more into it. Even the younger generations want to dress up.”
Kater emphasizes that the outfits she dresses her customers in are not costumes, but authentic clothing of her heritage.
“Every one is an original straight from Germany,” says Kater.
Kater was impressed to find such a large German influence in the Texas Hill Country when she arrived here from Ludwigshafen, Germany 15 years ago.
She travels all over the nation providing outfits for people attending Okterberfest events but says Wurstfest has always been her favorite.
“Wurstfest is one of the biggest,” says Kater. “It is the elite of all of them, even the ones up north.”
(A supplementary video from Wurstfest. How to sing one of the favorite songs, Ein Prosit!)
Cassandra Jaramillo | Jade Magalhaes | Sandy Marin | Jan Ross Piedad
Luke Wade, season 7 contestant of “The Voice,” takes the stage at Stubb’s Barbecue in Feb. with single “Doctor Please” from his album “The River.” [Photo by: Jade Magalhaes]
After the curtains closed, the spotlight stopped shining and the microphones switched to silent on set of one of the most popular talent television shows in America, what stayed behind was a musician’s desire to share his art in its purest form.
From season 7 of hit NBC show “The Voice”, a soulful artist from a farming community in Dublin, Texas landed a spot among the show’s Top 8 singers. Lucas Anthony Wade, the so-often labeled soulful singer-songwriter has no desire in being classified by such conventional categories, he just wants to be known as Luke Wade.
“The best thing an artist can do for themselves is make their names a genre,” Luke said. “Look at Ben Harper, Dave Matthews and Incubus. They use their names to describe other people’s music and to describe genres.”
In his 2014 blind audition, Luke turned four chairs and impressed superstar coaches Adam Levine, Gwen Stefani and Blake Shelton with his version of Otis Redding’s “That’s How Strong My Love Is.” Luke ultimately chose singer, songwriter, rapper, record producer and fashion designer Pharell WIlliams as his coach. The duo fought through the battle rounds, the knockouts and the live playoffs, but Luke did not come out as the victor.
Throughout the television journey, Luke did not lose sight of his roots. Music is Wade’s sole focus, but according to the artist, singing and songwriting wasn’t necessarily part of his original life-plan. It was something he stumbled upon.
“It’s so much more complicated than a year or a time,” Luke said. “I accidentally became a singer, songwriter and musician. All of the music stuff came after my story and my need to find a common thread with other people to make myself feel less alone.”
In a candid attempt to psychoanalyze himself briefly, Luke describes his young self as the sore thumb in a small town, population 200 at the time. Mom was a dancer, dad was a painter and due to health problems, Luke was a wisp of a little kid.
“I just wanted to be like everybody else, but I just wasn’t,” Luke said. “I was told to be myself, but there was no middle ground. If I was myself, I would never fit in.”
Luke’s struggles were amplified in a hot Texas summer at age 13, when his right eye was hit by a paintball. The accident took him out of contact sports, made his physique scrawny and left him half-blind. With the feeling that he had something to prove, Luke took up running. But he ran until he gave himself a heat stroke.
The stroke left emotional scars, but also literally left young Luke without the knowledge of who he was. Or who his parents were.
“I came back to school and that’s whenever I found art, whenever I found self expression and when I started of instead of looking at everybody else to try and be happy, I started looking at myself,” Luke said.
That turning point led Luke to music.
After getting his feet wet with writing and performing, the aspiring artist formed the bandLuke Wade & No Civilians, with whom he still performs. Together, they produced two albums: “Tomorrow’s Ghosts” and more recently “The River.”
Many things came out of ”The Voice”. It gave Luke the perfect platform to expose his art, gain more followers and get invaluable training from coaches and advisors who have, once upon a time, been in his same shoes.
“I learned how to respond to pressure,” Luke said. “No matter how tough things get, ultimately everything is going to be OK. There is no reason to worry about whether you messed up or what someone thinks about a thing that you did, it will all be OK.”
This November, over a year after walking off “The Voice” stage, Luke found himself in the live music capital of the world while touring the country with his band. After a performance at The Parish, he walked a crowded 6th street and took shots with friend and season 5 contestant Jonny Gray.
There’s no longer thousands of people watching Luke take the stage. But he performs as if there were a million.
The stage at Downtown bar and live music spot Stay Gold is ready for Jonny Gray and accompanying cellist to begin their performance.
Jonny and his cellist begin the show with songs from new album “Promises Broke,” released earlier this year.
A member of the audience sets a shot near the singer. This is a common gesture in the live music industry.
Jonny shares his story with the audience during the concert. Before joining “The Voice” in Cee lo Green’s team, the singer was a member of the Air Force, when he wrote several of his songs.
One of Jonny’s fans records a video of “DMFD,” a song inspired by the cheating wife of one of his colleagues during his time in the Armed Forces.
Jonny, a native Austinite, navigates the line between rock, folk and pop.
Jonny kicks off his performance with single “My Love.” His act was followed by Josiah and Special Guest.
Luke, a fellow Texan musician and Luke’s brother, who plays the saxophone in "Luke Wade & No Civilians,” catch up backstage at The Parish. The venue, located on 6th street, is a popular bar for live music performances.
Luke thanks his fans for coming to the show. This is the second time his tour makes a stop in Austin this year.
A performance view from The Parish stage. Luke Wade & No Civilians played songs from their original albums as well as songs Luke performed during “The Voice.”
Data on Google Searches of First 5 Season WinnersEditor’s Note: The numbers that appear show total searches for a term relative to the total number of searches done on Google over time. A line trending downward means that a search term’s relative popularity is decreasing. But that doesn’t necessarily mean the total number of searches for that term is decreasing. It just means its popularity is decreasing compared to other searches.
Interest Over Time on American Music Talent Shows Editor’s Note: The numbers that appear show total searches for a term relative to the total number of searches done on Google over time. A line trending downward means that a search term’s relative popularity is decreasing. But that doesn’t necessarily mean the total number of searches for that term is decreasing. It just means its popularity is decreasing compared to other searches.